Lagbaja (born in Lagos)
is a Nigerian Afrobeat musician, singer and songwriter. He was born in
1960 in Lagos state. He is from Odogun’s Compound, Ijagbo Community in
Oyun Local Government Area of Kwara State. is a Baptist by birth. He is also a Globacom ambassador
Name and mask
According to Lágbájá (pronounced la gba
jah), his mask is used as an icon of man's facelessness. Lágbájá is a
Yoruba word that means "nobody in particular". It depicts the anonymity
of the so-called "common man". The mask and the name symbolize the
faceless, the voiceless in the society, particularly in Africa. He is
also known as "Omo baba mu'ko mu'ko".
Style of music
Though the concept was developed long before that, his first album (entitled Lagbaja) was released to national acclaim in 1993. Over
the years and more albums later, the music continues to fascinate with
its unique focus on a core of African drums. His music is a product of
various influences ranging from traditional Yoruba music to Jazz. Often
the music is purely instrumental- an interplay between traditional
Yoruba percussion, drums, chants, western instruments, and especially
the saxophone. When there are lyrics, they are primarily sung in Yoruba,
English, or a blend of the two as is colloquially spoken in Yoruba
cities. Many of his songs dwell on serious social issues, while others
simply entertain. Some compositions are introduced with a simple "time
to dance", informing the audience of lengthy dance numbers, while other
songs address complex social issues through biting wit made palatable by
disarming parables, irony, and multilingual puns.
One thing that links all the songs
together is his use of traditional African drums. Traditional Yoruba
drums are the most prominent. Four families of these drums are employed
in creating different grooves and moods. The dundun/gangan family is the
most prominent and at times up to five drummers combine all the various
components to create the polyrhythms. The bata ensemble is led by two
musicians who alternate between soft high toned driving rhythms with
their omele bata, and thunderous loud talk with their mum drum- iya ilu.
The general percussionist leads the sakara drum ensemble. The fourth
family, used as the backbone of the groove is the ogido, a derivative of
the ancient gbedu. The ensemble of drummers constitute the larger part
of the band. Vocalists and western instrumentalists and make up the
rest. Lagbaja's groovy fusion has been referred to as afrojazz,
afrobeat, higherlife and afropop until now that he himself has
christened the music AFRICANO, alluding mostly to the central role of
African drums and grooves in his music.
In March 1997, He established his club,
Motherlan’ in the heart of Ikeja in Lagos. Motherlan’s design is
influenced by the traditional African town or market square, where
people gather under the moonlight for ceremonies and artistic events
like dance, music, story telling, wrestling etc.
Awards
- 2006 Channel O Music Video Awards – Best Male Video ("Never Far Away")
Discography
- 'Ikira', 1993
- Lagbaja, 1993
- Cest Un African Thing, 1996
- ME, 2000
- WE, 2000
- We and Me Part II, 2000
- ABAMI, 2000
- Africano... the mother of groove, 2005
- Paradise, 2009
- Sharp Sharp, 2009
- 200 Million Mumu (The Biiter Truth), 2012
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